ii–V–I (jazz) (ii7 – V7 – Imaj7 – Imaj7)
The most important move in jazz: predominant (ii7), dominant (V7), tonic (Imaj7). Every jazz standard uses it again and again.
In C major
In all 12 keys
Mode: major. The capo column shows the fret where most chords become easy open shapes.
| Key | Chords | Capo |
|---|---|---|
| C major | Dm7 – G7 – Cmaj7 – Cmaj7 | – |
| D♭ major | E♭m7 – A♭7 – D♭maj7 – D♭maj7 | 1. |
| D major | Em7 – A7 – Dmaj7 – Dmaj7 | – |
| E♭ major | Fm7 – B♭7 – E♭maj7 – E♭maj7 | 1. |
| E major | F♯m7 – B7 – Emaj7 – Emaj7 | 2. |
| F major | Gm7 – C7 – Fmaj7 – Fmaj7 | 3. |
| F♯ major | G♯m7 – C♯7 – F♯maj7 – F♯maj7 | 4. |
| G major | Am7 – D7 – Gmaj7 – Gmaj7 | – |
| A♭ major | B♭m7 – E♭7 – A♭maj7 – A♭maj7 | 1. |
| A major | Bm7 – E7 – Amaj7 – Amaj7 | 2. |
| B♭ major | Cm7 – F7 – B♭maj7 – B♭maj7 | 3. |
| B major | C♯m7 – F♯7 – Bmaj7 – Bmaj7 | 4. |
Similar progressions
All chord progressions
- Pop progression (Axis)
- Sensitive pop (vi–IV–I–V)
- ’50s progression (doo-wop)
- Royal road (J-pop)
- Canon progression
- Circle-of-fifths progression
- Authentic cadence (I–IV–V–I)
- Folk and country
- ii–V–I (jazz)
- Turnaround (I–vi–ii–V)
- Minor ii–V–i
- 12-bar blues
- 12-bar blues, quick change
- Three-chord punk
- Mixolydian rock (I–♭VII–IV)
- ♭VI–♭VII–I (victory cadence)
- Andalusian cadence
- Epic minor (i–VI–III–VII)
- Minor cadence (i–iv–V–i)
- Minor ballad (i–VII–VI–VII)
- Dorian vamp (i–IV)
- Major-to-minor IV (I–iii–IV–iv)
Frequently asked questions
What are the chords of the ii–V–I (jazz) in C major?
Dm7 – G7 – Cmaj7 – Cmaj7 (ii7 – V7 – Imaj7 – Imaj7).
Which key is easiest on guitar?
With only open chords and no capo: C major, D major, G major. For other keys, the capo column in the table shows where to clamp it.
What do the Roman numerals mean?
The degrees of the key: I = tonic (1st degree), IV = 4th, V = 5th. Upper case is a major chord, lower case minor; ° means diminished, ø half-diminished and ♭ a lowered degree. That's what lets you move the progression to any key.
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